'The birds are the keepers of our secrets'
finding virtues in what others see as flaws is also romantic in my opinion....eg Amelie! (yes, its my favourite film)
I also really love Big Blue (as a previous poster mentioned) but reckon that the extended version of the film is actually not awfully good at times and Rosanna Arquette gets annoying but it is still sublime in places.
'The birds are the keepers of our secrets'
Scramble the rock face through the glare of morning sun — to run
I like both.
Too many people dislike films without ever watching them and Mamma Mia's an especially good example of that. I didn't especially like Abba before I watched it but incredibly I like a fair few of the songs in the film . Also lots of would be or actual film buffs play up to and fawn on the views of film critics - liking Citizen Kane never having watched it being a totally acceptable opposite to disliking Mamma Mia never having seen it. I sometimes get to listen to Simon Mayo/Mark Kermode on radio 5 Friday afternoons and loads of the listeners who text in put on their own Mark Kermode airs and graces, liking and disliking films for exactly his reasons (rather than perhaps their own). I find his film reviews pretty good actually but I still like some films he doesn't. In fact he absolutely hates some films I like.
Last edited by Stolly; 04-12-2012 at 02:40 PM.
Well Wheeze you are right on both counts.
I post to provoke.
And I have already indicated with my comments on Citizen Kane the important people in a movie team are not the cattle (except in cowboy movies).
So let’s take a look at In The Heat Of The Night.
It was directed by Norman Jewison who had been around the block: The Thomas Crown Affair, The Cincinnati Kid,…
It was scripted by Stirling Silliphant who earned his spurs in TV shows such as Naked City and Route 66. A good CV for taut story telling.
Who filmed it? Haskell Wexler. Wow! His work on Days of Heaven has been described as ”breathtaking” . He may well be the greatest American DP. Wexler went on to write, direct, produce and film his own movie Medium Cool which is still an interesting film 40 years later.
Editor? Has Ashby. It just gets better. Ashby went on to direct his own movies and won two Oscars (Film and Direction) for Coming Home.
And en passant the music was by Quincy Jones.
So with a team like that you and I could have acted in it and been part of a great movie but the Casting Director chose other people for the parts.
Casting Director? The most under-recognised job in filmmaking. It is they who look at the roles and decide “who playing their standard acting role will fit the bill?”
Rod Steiger is always Rod Steiger so the skill of the Casting Director was putting Rod Steiger in a film where he could act as…Rod Steiger. And if you were impressed by the “incendiary interplay”-well that was because of the skill of the Director in extracting that and the Editor in selecting the best shots from many, many takes.
So cattle?
Or I could just list the rubbish that Poitier and Steiger have also appeared in to illustrate my point, including of course Poitier reprising the same role in two follow-up Mr Tibbs films that every one chooses to forget.
Last edited by Graham Breeze; 05-12-2012 at 12:10 PM.
"...as dry as the Atacama desert".