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Thread: Today's poet

  1. #13251

    Re: Today's poet

    Quote Originally Posted by Mossdog View Post
    you being in love
    will tell who softly asks in love,
    am i separated from your body smile brain hands merely
    to become the jumping puppets of a dream? oh i mean:
    entirely having in my careful how
    careful arms created this at length
    inexcusable, this inexplicable pleasure-you go from several
    persons: believe me that strangers arrive
    when i have kissed you into a memory
    slowly, oh seriously
    -that since and if you disappear
    solemnly
    myselves
    ask "life, the question how do i drink dream smile
    and how do i prefer this face to another and
    why do i weep eat sleep-what does the whole intend"
    they wonder. oh and they cry "to be, being, that i am alive
    this absurd fraction in its lowest terms
    with everything cancelled
    but shadows
    -what does it all come down to? love? Love
    if you like and i like,for the reason that i
    hate people and lean out of this window is love,love
    and the reason that i laugh and breathe is oh love and the reason
    that i do not fall into this street is love."

    ee cummings
    How exquisite...such a long time since i have visited the thread (sadly) but what a wonderful reminder of why i should...i have never come across this one how utterly lovely

  2. #13252
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    Re: Today's poet

    Quote Originally Posted by Alf View Post
    On the Day of Nixon's Funeral


    It's time to put the aside the old resentments; lies,
    machinations, the paranoia, bugs in telephones,
    the body bags, secret bombings, his sweaty upper lip,
    my cousin Arnie, too dumb to go to school,

    too virtuous to confess he'd give blow jobs
    for nothing at the Paramount, so he lost a leg
    in Da Nang. Now it's time for amnesiacs to play
    Beethoven's Eroica by Nixon's casket.

    To applaud his loyalty, to grant a few mistakes,
    to honor his diplomacy, him and his pal Kissinger
    who bombed the lush green paddies of Cambodia.
    And now for a few lyric moments as I wait patiently

    for my fiftieth birthday. Wood ducks decorate the pond
    near this farmhouse, and in the marsh I've spied
    a meadow lark, a fox, a white-tailed hawk who soars
    above the Western Mountain peaks. Oh, I'm in love

    with the country all right. So I can forget my friend
    Sweeney, who shot Congressman Lowenstein
    because the radio in his tooth insisted on it.
    I remember the march on the Pentagon in purple,

    a proud member of the Vegetarian Brigade. I was drugged,
    as many of us were drugged, as my parents
    were drugged by a few major networks, by a ranch house
    and an Oldsmobile. I once spit on Hubert Humphrey,

    threw a brick through Dow Chemical's plate-glass door.
    I wrote insane letters to Senators, burying them
    in moral rectitude: I got a response from one:
    Senator Kennedy — the dead one — whose office wrongly

    argued for slow withdrawal instead of Instant Victory.
    I remember Tricky Dick in Nineteen Fifty-three:
    I'm eight years-old, frightened and ignorant,
    lying down before my parents' first TV: my aunts

    and uncles sitting in a circle, biting their nails,
    whispering names of relatives awaiting trial, who,
    thanks to Nixon, lost their sorry jobs. You can see why
    I'd want to bury this man whose blood would not circulate,

    whose face was paralyzed, who should have died
    in shame and solitude, without benefit of eulogy or twenty-one
    gun salutes. I want to bury him in Southern California
    with the Birchers and the Libertarians. I want to look out

    my window and cheer the remaining cedars
    that require swampy habitats to survive. To be done
    with shame and rage this April afternoon, where embryonic
    fiddleheads, fuzzy and curled and pale as wings,

    have risen to meet me. After all, they say he was a scrappy man,
    wily and sage, who served as Lucifer, scapegoat, scoundrel,
    a receptacle for acrimony and rage — one human being
    whose life I have no reverence for, which is why I'm singing now.

    Ira Sadoff
    Interesting this. Makes you want to look into this stuff more. Reminds me of Gil Scott Heron's H2Ogate Blues, and one of Kurt Vonneguts books 'Jailbird'

  3. #13253
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    Re: Today's poet

    So you want to be a writer?

    if it doesn't come bursting out of you
    in spite of everything,
    don't do it.
    unless it comes unasked out of your
    heart and your mind and your mouth
    and your gut,
    don't do it.
    if you have to sit for hours
    staring at your computer screen
    or hunched over your
    typewriter
    searching for words,
    don't do it.
    if you're doing it for money or
    fame,
    don't do it.
    if you're doing it because you want
    women in your bed,
    don't do it.
    if you have to sit there and
    rewrite it again and again,
    don't do it.
    if it's hard work just thinking about doing it,
    don't do it.
    if you're trying to write like somebody
    else,
    forget about it.


    if you have to wait for it to roar out of
    you,
    then wait patiently.
    if it never does roar out of you,
    do something else.

    if you first have to read it to your wife
    or your girlfriend or your boyfriend
    or your parents or to anybody at all,
    you're not ready.

    don't be like so many writers,
    don't be like so many thousands of
    people who call themselves writers,
    don't be dull and boring and
    pretentious, don't be consumed with self-
    love.
    the libraries of the world have
    yawned themselves to
    sleep
    over your kind.
    don't add to that.
    don't do it.
    unless it comes out of
    your soul like a rocket,
    unless being still would
    drive you to madness or
    suicide or murder,
    don't do it.
    unless the sun inside you is
    burning your gut,
    don't do it.

    when it is truly time,
    and if you have been chosen,
    it will do it by
    itself and it will keep on doing it
    until you die or it dies in you.

    there is no other way.

    and there never was.

    Charles Bukowski

  4. #13254
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    Re: Today's poet

    It has been a bit quiet on this thread recently. A reworking of John Masefield's 'Sea Fever' by Edna St. Vincent Millay?

    Inland

    People that build their houses inland,
    People that buy a plot of ground
    Shaped like a house, and build a house there,
    Far from the sea-board, far from the sound

    Of water sucking the hollow ledges,
    Tons of water striking the shore,—
    What do they long for, as I long for
    One salt smell of the sea once more?

    People the waves have not awakened,
    Spanking the boats at the harbour's head,
    What do they long for, as I long for,—
    Starting up in my inland bed,

    Beating the narrow walls, and finding
    Neither a window nor a door,
    Screaming to God for death by drowning,—
    One salt taste of the sea once more?

    Edna St. Vincent Millay

  5. #13255
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    Re: Today's poet

    Apparently dead sheep in poems are a metaphor for guilt.


    Dead sheep

    There’s a dead sheep – swelling by the hedge

    a woman standing by the cottage door,

    a ghost



    waiting for her man.

    What should she do?

    The sheep is dead with lamb wedged deep inside her.



    Night creeps in

    she lights the lamp

    and paces.



    The sheep is heavy

    on her conscience now.

    A female presence,

    a legacy

    of treachery from long ago.


    Anne Foxglove

  6. #13256
    Moderator Mossdog's Avatar
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    Re: Today's poet

    Quote Originally Posted by Alf View Post
    Apparently dead sheep in poems are a metaphor for guilt.


    Dead sheep

    There’s a dead sheep – swelling by the hedge

    a woman standing by the cottage door,

    a ghost



    waiting for her man.

    What should she do?

    The sheep is dead with lamb wedged deep inside her.



    Night creeps in

    she lights the lamp

    and paces.



    The sheep is heavy

    on her conscience now.

    A female presence,

    a legacy

    of treachery from long ago.


    Anne Foxglove
    Then there's lots of guilt amidst the hills of the Eastern Lakes!

    On a more colourful note - aren't the buttercups simply magnificant this year?

    Buttercups and Daisies

    I never see a young hand hold
    The starry bunch of white and gold,
    But something warm and fresh will start
    About the region of my heart; -
    My smile expires into a sigh;
    I feel a struggling in my eye,
    'Twixt humid drop and sparkling ray,
    Till rolling tears have won their way;
    For, soul and brain will travel back,
    Through memory's chequer'd mazes,
    To days, when I but trod life's track
    For buttercups and daisies.

    There seems a bright and fairy spell
    About there very names to dwell;
    And though old Time has mark'd my brow
    With care and thought, I love them now.
    Smile, if you will, but some heartstrings
    Are closest link'd to simplest things;
    And these wild flowers will hold mine fast,
    Till love, and life, and all be past;
    And then the only wish I have
    Is, that the one who raises
    The turf sod o'er me, plant my grave
    With buttercups and daisies.

    Eliza Cook
    Am Yisrael Chai

  7. #13257

    Re: Today's poet

    Quote Originally Posted by Alf View Post
    It has been a bit quiet on this thread recently. A reworking of John Masefield's 'Sea Fever' by Edna St. Vincent Millay?

    Inland

    People that build their houses inland,
    People that buy a plot of ground
    Shaped like a house, and build a house there,
    Far from the sea-board, far from the sound

    Of water sucking the hollow ledges,
    Tons of water striking the shore,—
    What do they long for, as I long for
    One salt smell of the sea once more?

    People the waves have not awakened,
    Spanking the boats at the harbour's head,
    What do they long for, as I long for,—
    Starting up in my inland bed,

    Beating the narrow walls, and finding
    Neither a window nor a door,
    Screaming to God for death by drowning,—
    One salt taste of the sea once more?

    Edna St. Vincent Millay
    I really enjoyedthis Alf especially as I will shortly be moving very close to the sea (fingers crossed!) ....i am hoping to visit more regularly now that things are finally settling down for me!

  8. #13258

    Re: Today's poet

    "Boogie Street"
    Leonard Cohen

    O Crown of Light, O Darkened One,
    I never thought we’d meet.
    You kiss my lips, and then it’s done:
    I’m back on Boogie Street.

    A sip of wine, a cigarette,
    And then it’s time to go.
    I tidied up the kitchenette;
    I tuned the old banjo.
    I’m wanted at the traffic-jam.
    They’re saving me a seat.
    I’m what I am, and what I am,
    Is back on Boogie Street.

    And O my love, I still recall
    The pleasures that we knew;
    The rivers and the waterfall,
    Wherein I bathed with you.
    Bewildered by your beauty there,
    I’d kneel to dry your feet.
    By such instructions you prepare
    A man for Boogie Street.

    O Crown of Light, O Darkened One…

    So come, my friends, be not afraid.
    We are so lightly here.
    It is in love that we are made;
    In love we disappear.
    Tho’ all the maps of blood and flesh
    Are posted on the door,
    There’s no one who has told us yet
    What Boogie Street is for.

    O Crown of Light, O Darkened One,
    I never thought we’d meet.
    You kiss my lips, and then it’s done:
    I’m back on Boogie Street.

    A sip of wine, a cigarette,
    And then it’s time to go . . .

    ----------------------------

    "I am your man" by Slyvie Simmons- new autobiography of Leonard Cohen...I have mixed feelings about his work sometimes finding it a tad cheesy sometimes enjoying its poetic quality, listening to slyvie simmons on radio 6 it sounds like he leads an interesting life wouldn't mind reading the book at some juncture

  9. #13259
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    Re: Today's poet

    Quote Originally Posted by freckle View Post
    "Boogie Street"
    Leonard Cohen

    O Crown of Light, O Darkened One,
    I never thought we’d meet.
    You kiss my lips, and then it’s done:
    I’m back on Boogie Street.

    A sip of wine, a cigarette,
    And then it’s time to go.
    I tidied up the kitchenette;
    I tuned the old banjo.
    I’m wanted at the traffic-jam.
    They’re saving me a seat.
    I’m what I am, and what I am,
    Is back on Boogie Street.

    And O my love, I still recall
    The pleasures that we knew;
    The rivers and the waterfall,
    Wherein I bathed with you.
    Bewildered by your beauty there,
    I’d kneel to dry your feet.
    By such instructions you prepare
    A man for Boogie Street.

    O Crown of Light, O Darkened One…

    So come, my friends, be not afraid.
    We are so lightly here.
    It is in love that we are made;
    In love we disappear.
    Tho’ all the maps of blood and flesh
    Are posted on the door,
    There’s no one who has told us yet
    What Boogie Street is for.

    O Crown of Light, O Darkened One,
    I never thought we’d meet.
    You kiss my lips, and then it’s done:
    I’m back on Boogie Street.

    A sip of wine, a cigarette,
    And then it’s time to go . . .

    ----------------------------

    "I am your man" by Slyvie Simmons- new autobiography of Leonard Cohen...I have mixed feelings about his work sometimes finding it a tad cheesy sometimes enjoying its poetic quality, listening to slyvie simmons on radio 6 it sounds like he leads an interesting life wouldn't mind reading the book at some juncture

    I have fond memories of 'Bugis Street' in Singapore in the mid seventies before they sanitized the place and spoiled it :thunbdown:
    I won't include the poem/song about the place

  10. #13260
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    Re: Today's poet

    This one is from Durham lass Elizabeth Barratt Browning for all you dog lovers out there. 'Flush' was the name of her Cocker Spaniel but I am not sure how it got that name unless it was particularly fastidious with its personal hygiene

    Flush or Faunus

    You see this dog. It was but yesterday
    I mused, forgetful of his presence here,
    Till thought on thought drew downward tear on tear;
    When from the pillow, where wet-cheeked I lay,
    A head as hairy as Faunus, thrust its way
    Right sudden against my face,--two golden-clear
    Large eyes astonished mine,--a drooping ear
    Did flap me on either cheek, to dry the spray!
    I started first, as some Arcadian
    Amazed by goatly god in twilight grove:
    But as my bearded vision closelier ran
    My tears off, I knew Flush, and rose above
    Surprise and sadness; thanking the true Pan,
    Who, by low creatures, leads to heights of love.

    Elizabeth Barrett Browning

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