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Thread: Today's poet

  1. #13451
    Moderator Mossdog's Avatar
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    For nature lovers everywhere....(lengthy but it gets better and better)

    Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798

    BY WILLIAM WORDSWORTH

    Five years have past; five summers, with the length
    Of five long winters! and again I hear
    These waters, rolling from their mountain-springs
    With a soft inland murmur.—Once again
    Do I behold these steep and lofty cliffs,
    That on a wild secluded scene impress
    Thoughts of more deep seclusion; and connect
    The landscape with the quiet of the sky.
    The day is come when I again repose
    Here, under this dark sycamore, and view
    These plots of cottage-ground, these orchard-tufts,
    Which at this season, with their unripe fruits,
    Are clad in one green hue, and lose themselves
    'Mid groves and copses. Once again I see
    These hedge-rows, hardly hedge-rows, little lines
    Of sportive wood run wild: these pastoral farms,
    Green to the very door; and wreaths of smoke
    Sent up, in silence, from among the trees!
    With some uncertain notice, as might seem
    Of vagrant dwellers in the houseless woods,
    Or of some Hermit's cave, where by his fire
    The Hermit sits alone.

    These beauteous forms,
    Through a long absence, have not been to me
    As is a landscape to a blind man's eye:
    But oft, in lonely rooms, and 'mid the din
    Of towns and cities, I have owed to them,
    In hours of weariness, sensations sweet,
    Felt in the blood, and felt along the heart;
    And passing even into my purer mind
    With tranquil restoration:—feelings too
    Of unremembered pleasure: such, perhaps,
    As have no slight or trivial influence
    On that best portion of a good man's life,
    His little, nameless, unremembered, acts
    Of kindness and of love. Nor less, I trust,
    To them I may have owed another gift,
    Of aspect more sublime; that blessed mood,
    In which the burthen of the mystery,
    In which the heavy and the weary weight
    Of all this unintelligible world,
    Is lightened:—that serene and blessed mood,
    In which the affections gently lead us on,—
    Until, the breath of this corporeal frame
    And even the motion of our human blood
    Almost suspended, we are laid asleep
    In body, and become a living soul:
    While with an eye made quiet by the power
    Of harmony, and the deep power of joy,
    We see into the life of things.

    If this
    Be but a vain belief, yet, oh! how oft—
    In darkness and amid the many shapes
    Of joyless daylight; when the fretful stir
    Unprofitable, and the fever of the world,
    Have hung upon the beatings of my heart—
    How oft, in spirit, have I turned to thee,
    O sylvan Wye! thou wanderer thro' the woods,
    How often has my spirit turned to thee!

    And now, with gleams of half-extinguished thought,
    With many recognitions dim and faint,
    And somewhat of a sad perplexity,
    The picture of the mind revives again:
    While here I stand, not only with the sense
    Of present pleasure, but with pleasing thoughts
    That in this moment there is life and food
    For future years. And so I dare to hope,
    Though changed, no doubt, from what I was when first
    I came among these hills; when like a roe
    I bounded o'er the mountains, by the sides
    Of the deep rivers, and the lonely streams,
    Wherever nature led: more like a man
    Flying from something that he dreads, than one
    Who sought the thing he loved. For nature then
    (The coarser pleasures of my boyish days
    And their glad animal movements all gone by)
    To me was all in all.—I cannot paint
    What then I was. The sounding cataract
    Haunted me like a passion: the tall rock,
    The mountain, and the deep and gloomy wood,
    Their colours and their forms, were then to me
    An appetite; a feeling and a love,
    That had no need of a remoter charm,
    By thought supplied, not any interest
    Unborrowed from the eye.—That time is past,
    And all its aching joys are now no more,
    And all its dizzy raptures. Not for this
    Faint I, nor mourn nor murmur; other gifts
    Have followed; for such loss, I would believe,
    Abundant recompense. For I have learned
    To look on nature, not as in the hour
    Of thoughtless youth; but hearing oftentimes
    The still sad music of humanity,
    Nor harsh nor grating, though of ample power
    To chasten and subdue.—And I have felt
    A presence that disturbs me with the joy
    Of elevated thoughts; a sense sublime
    Of something far more deeply interfused,
    Whose dwelling is the light of setting suns,
    And the round ocean and the living air,
    And the blue sky, and in the mind of man:
    A motion and a spirit, that impels
    All thinking things, all objects of all thought,
    And rolls through all things. Therefore am I still
    A lover of the meadows and the woods
    And mountains; and of all that we behold
    From this green earth; of all the mighty world
    Of eye, and ear,—both what they half create,
    And what perceive; well pleased to recognise
    In nature and the language of the sense
    The anchor of my purest thoughts, the nurse,
    The guide, the guardian of my heart, and soul
    Of all my moral being.

    Nor perchance,
    If I were not thus taught, should I the more
    Suffer my genial spirits to decay:
    For thou art with me here upon the banks
    Of this fair river; thou my dearest Friend,
    My dear, dear Friend; and in thy voice I catch
    The language of my former heart, and read
    My former pleasures in the shooting lights
    Of thy wild eyes. Oh! yet a little while
    May I behold in thee what I was once,
    My dear, dear Sister! and this prayer I make,
    Knowing that Nature never did betray
    The heart that loved her; 'tis her privilege,
    Through all the years of this our life, to lead
    From joy to joy: for she can so inform
    The mind that is within us, so impress
    With quietness and beauty, and so feed
    With lofty thoughts, that neither evil tongues,
    Rash judgments, nor the sneers of selfish men,
    Nor greetings where no kindness is, nor all
    The dreary intercourse of daily life,
    Shall e'er prevail against us, or disturb
    Our cheerful faith, that all which we behold
    Is full of blessings. Therefore let the moon
    Shine on thee in thy solitary walk;
    And let the misty mountain-winds be free
    To blow against thee: and, in after years,
    When these wild ecstasies shall be matured
    Into a sober pleasure; when thy mind
    Shall be a mansion for all lovely forms,
    Thy memory be as a dwelling-place
    For all sweet sounds and harmonies; oh! then,
    If solitude, or fear, or pain, or grief,
    Should be thy portion, with what healing thoughts
    Of tender joy wilt thou remember me,
    And these my exhortations! Nor, perchance—
    If I should be where I no more can hear
    Thy voice, nor catch from thy wild eyes these gleams
    Of past existence—wilt thou then forget
    That on the banks of this delightful stream
    We stood together; and that I, so long
    A worshipper of Nature, hither came
    Unwearied in that service: rather say
    With warmer love—oh! with far deeper zeal
    Of holier love. Nor wilt thou then forget,
    That after many wanderings, many years
    Of absence, these steep woods and lofty cliffs,
    And this green pastoral landscape, were to me
    More dear, both for themselves and for thy sake!
    Am Yisrael Chai

  2. #13452
    (Sorry for the long post)

    I'm just back from a trip to see the in-laws in Spain and seeing this thread reminded me of a poem that I often turn to when I feel nostalgic for my adopted second homeland: Aragon, Spain.

    The poem is by the late, great José Antonio Labordeta, known to the people of Aragon simply as "El Abuelo" (Grandfather). He was at one point or another a poet, writer, singer, political campaigner, member of parliament, tv presenter, and defender of all of Spain's regional life and diversity. The Poet in the title refers to his brother, who died young and was a marked influence on him.

    If anyone is interested, I have the poem below for any Spanish speakers and my (poor, often literal) translation.

    El Poeta

    José Antonio Labordeta

    Él quiso ser
    palabra sobre el río al amanecer,
    y caminó
    por viejas esperanzas que nadie entendió.
    Dejó después
    la mano entre las manos y se nos marchó
    con un suave silencio
    que el viento rompió.

    Su gesto fue
    dolido por el caminar
    entre yerbas y piedras
    y un extenso erial.

    Su voz se ató
    al yermo del paisaje y a la sangre en flor.
    Se hizo pared
    allí donde los muros cayeron tras él.
    Su soledad
    abrió por los caminos la necesidad
    que levanta a los hombres
    a la libertad.

    Caminos son
    abiertos por su fuerte voz
    lanzada contra cierzo y sol
    y contra tantos siglos de dolor.

    ///////////////////////////////////////

    The Poet

    José Antonio Labordeta

    He wanted to be
    the word above the river at dawn
    and he travelled
    by old hopes that no one understood.
    He left after
    his hand in our hands and departed from us
    with a soft silence
    that the wind broke.

    His expression was
    marked with pain from the journey
    between grass and rocks
    and a vast wasteland.

    His voice was tied
    to the barren landscape and blood in bloom.
    He built walls
    there where the battlements fell behind him.
    His loneliness
    opened paths the necessity
    that raises men
    towards liberty.

    Paths are
    cleared by his strong voice
    fought against wind and sun
    and against so many centuries of pain.

    ///////////////////////////////////////////////////

    This is a bad translation. The Spanish word "camino" implies a journey -- it can also mean "to walk" -- as well as a path but I didn't know how to translate it otherwise. It is a path with purpose. It's also a poem best understood by the landscape it is tied to. Vast expanses of dry and empty countryside, speckled by olive groves and villages ("where there is water there is an orchard", wrote the José Antonio Labordeta in another poem). The poem is also tied to the history of the place, the struggle for freedom in the Civil War, the harshness of life under Franco, and the silence during which very few tried to speak out.\

  3. #13453
    Moderator Mossdog's Avatar
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    Quote Originally Posted by corredor View Post
    (Sorry for the long post)

    I'm just back from a trip to see the in-laws in Spain and seeing this thread reminded me of a poem that I often turn to when I feel nostalgic for my adopted second homeland: Aragon, Spain.

    The poem is by the late, great José Antonio Labordeta, known to the people of Aragon simply as "El Abuelo" (Grandfather). He was at one point or another a poet, writer, singer, political campaigner, member of parliament, tv presenter, and defender of all of Spain's regional life and diversity. The Poet in the title refers to his brother, who died young and was a marked influence on him.

    If anyone is interested, I have the poem below for any Spanish speakers and my (poor, often literal) translation.

    El Poeta

    José Antonio Labordeta

    Él quiso ser
    palabra sobre el río al amanecer,
    y caminó
    por viejas esperanzas que nadie entendió.
    Dejó después
    la mano entre las manos y se nos marchó
    con un suave silencio
    que el viento rompió.

    Su gesto fue
    dolido por el caminar
    entre yerbas y piedras
    y un extenso erial.

    Su voz se ató
    al yermo del paisaje y a la sangre en flor.
    Se hizo pared
    allí donde los muros cayeron tras él.
    Su soledad
    abrió por los caminos la necesidad
    que levanta a los hombres
    a la libertad.

    Caminos son
    abiertos por su fuerte voz
    lanzada contra cierzo y sol
    y contra tantos siglos de dolor.

    ///////////////////////////////////////

    The Poet

    José Antonio Labordeta

    He wanted to be
    the word above the river at dawn
    and he travelled
    by old hopes that no one understood.
    He left after
    his hand in our hands and departed from us
    with a soft silence
    that the wind broke.

    His expression was
    marked with pain from the journey
    between grass and rocks
    and a vast wasteland.

    His voice was tied
    to the barren landscape and blood in bloom.
    He built walls
    there where the battlements fell behind him.
    His loneliness
    opened paths the necessity
    that raises men
    towards liberty.

    Paths are
    cleared by his strong voice
    fought against wind and sun
    and against so many centuries of pain.

    ///////////////////////////////////////////////////

    This is a bad translation. The Spanish word "camino" implies a journey -- it can also mean "to walk" -- as well as a path but I didn't know how to translate it otherwise. It is a path with purpose. It's also a poem best understood by the landscape it is tied to. Vast expanses of dry and empty countryside, speckled by olive groves and villages ("where there is water there is an orchard", wrote the José Antonio Labordeta in another poem). The poem is also tied to the history of the place, the struggle for freedom in the Civil War, the harshness of life under Franco, and the silence during which very few tried to speak out.\
    Sadly, my grasp of Spanish, never great, has deteriorated to a few phrases which allow me to ask some directions, exchange simple pleasantries, comment upon the weather, and buy a few provisions - all the basics for spending some summer months wild camping and stravaiging the high Pyrenees. So I really appreciate your translation.

    I was captured by the very opening sentence of this poem. It made me pause and reflect and recognise a certain meaning, a new meaning, of something I have experienced myself many times but never fully formed in that manner. This poem is a sheer delight. Thank you so very much for posting. A good start to a day off from work
    Am Yisrael Chai

  4. #13454
    Quote Originally Posted by Mossdog View Post
    Sadly, my grasp of Spanish, never great, has deteriorated to a few phrases which allow me to ask some directions, exchange simple pleasantries, comment upon the weather, and buy a few provisions - all the basics for spending some summer months wild camping and stravaiging the high Pyrenees. So I really appreciate your translation.

    I was captured by the very opening sentence of this poem. It made me pause and reflect and recognise a certain meaning, a new meaning, of something I have experienced myself many times but never fully formed in that manner. This poem is a sheer delight. Thank you so very much for posting. A good start to a day off from work
    Thanks Mossdog! I am happy that you were able to get something out of it!

    I like his poetry because it is very Aragonese, his use of the word "cierzo" refers to an Aragonese word for a bitter Northern wind that blows during the winter and he often linked the language of the people of Aragon to how they live in a hostile climate. I am interested in how our language is bound to the landscape and tradition.

    Interestingly, Labordeta frequently performed this as a song and there are two studio recordings that I know of. One was recorded in the early 70s, in Franco's Spain. It is sad but angry, sounding like a call to arms for artists. The second recording was made later in the 2000s long after Franco and is much more melancholic. It is as if Labordeta is wondering whether the poem is no longer about his brother but rather himself and whether he had achieved anything in his years of writing, singing, and campaigning. In this sense the use of the preterite past tense rather than the imperfect that you would normally expect ("He wanted to be..") has an almost haunting ambiguity as I wonder whether his is refering to a life that has physically ended or to the person that Labordeta aspired to be.

  5. #13455
    Moderator Mossdog's Avatar
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    First Love

    In the dreary Girona of my seven-year-old self,
    where postwar shop-windows
    wore the greyish hue of scarcity,
    the knife-shop was a glitter
    of light in small steel mirrors.
    Pressing my forehead against the glass,
    I gazed at a long, slender clasp-knife,
    beautiful as a marble statue.
    Since no one at home approved of weapons,
    I bought it secretly, and, as I walked along,
    I felt the heavy weight of it, inside my pocket.
    From time to time I would open it slowly,
    and the blade would spring out, slim and straight,
    with the convent chill that a weapon has.
    Hushed presence of danger:
    I hid it, the first thirty years,
    behind books of poetry and, later,
    inside a drawer, in amongst your knickers
    and amongst your stockings.
    Now, almost fifty-four,
    I look at it again, lying open in my palm,
    just as dangerous as when I was a child.
    Sensual, cold. Nearer my neck.

    Joan Margarit
    Am Yisrael Chai

  6. #13456
    Master
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    Sunny Thursday


    It’s England’s North West and the sun’s warmth is radiating
    Terraced row occupants drag their finest wooden stand chairs to the flags outside the front door
    For those sans chairs a cushion suffices
    All soaking up the vitamin D and Carling with eyes closed as if in ecstasy
    Carbon monoxide mixes freely with the duty free Amber Leaf and subtle hints of dog excrement from the corner of the backstreet
    Temperatures rise to the low 60’s and onesie sleeves are rolled up high and dressing gown cords relaxed from bulging waistlines
    Passers-by nod and mumble ‘grand as owt’
    The Chinese on the corner prepares to open and greasy odours compete with the burgeoning cloud of exhaled roll ups

    The occasional passing car blasts its horn as the driver shout out ‘wankers’ from his untaxed ’94 Audi
    Music from the ice cream van attempts to muffle the fire engine sirens on their way to a grass fire at the top of the ginnel
    A three year old solos her way across the main road for a ’99 to the screeches of passing cars
    Shouts of abuse and hand gestures from the now pinkish front door dwellers fall on deaf ears as the youngster stretches up for her ice cream from Tariq
    The sun dips below the roofline of the houses opposite to sighs of ‘****s sake’ from the pavement gathering
    Fag ends are tossed into the gutter as chairs and cushions are manoeuvred back through the door and back into the front room

    The red man in the vest orders the woman with the limp up to the chippy for 6 lots of sausage chips and gravy – and be quick, as the door slams shut on that street in the North West

  7. #13457
    Moderator Mossdog's Avatar
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    Quote Originally Posted by Ady In Accy View Post
    Sunny Thursday


    It’s England’s North West and the sun’s warmth is radiating
    Terraced row occupants drag their finest wooden stand chairs to the flags outside the front door
    For those sans chairs a cushion suffices
    All soaking up the vitamin D and Carling with eyes closed as if in ecstasy
    Carbon monoxide mixes freely with the duty free Amber Leaf and subtle hints of dog excrement from the corner of the backstreet
    Temperatures rise to the low 60’s and onesie sleeves are rolled up high and dressing gown cords relaxed from bulging waistlines
    Passers-by nod and mumble ‘grand as owt’
    The Chinese on the corner prepares to open and greasy odours compete with the burgeoning cloud of exhaled roll ups

    The occasional passing car blasts its horn as the driver shout out ‘wankers’ from his untaxed ’94 Audi
    Music from the ice cream van attempts to muffle the fire engine sirens on their way to a grass fire at the top of the ginnel
    A three year old solos her way across the main road for a ’99 to the screeches of passing cars
    Shouts of abuse and hand gestures from the now pinkish front door dwellers fall on deaf ears as the youngster stretches up for her ice cream from Tariq
    The sun dips below the roofline of the houses opposite to sighs of ‘****s sake’ from the pavement gathering
    Fag ends are tossed into the gutter as chairs and cushions are manoeuvred back through the door and back into the front room

    The red man in the vest orders the woman with the limp up to the chippy for 6 lots of sausage chips and gravy – and be quick, as the door slams shut on that street in the North West
    Bye eck lad. Thou paints a pretty Spring picture!

    We all live in our own little worlds. Some through choice, some through ignorance and some through coercion. But the world in itself is wholly neutral, it's all how we see it, make meaning of it, that gives it it's certain colour - dark or light.
    Am Yisrael Chai

  8. #13458
    Moderator Mossdog's Avatar
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    SONNET 98

    From you have I been absent in the spring,
    When proud-pied April dress'd in all his trim
    Hath put a spirit of youth in every thing,
    That heavy Saturn laugh'd and leap'd with him.
    Yet nor the lays of birds nor the sweet smell
    Of different flowers in odour and in hue
    Could make me any summer's story tell,
    Or from their proud lap pluck them where they grew;
    Nor did I wonder at the lily's white,
    Nor praise the deep vermilion in the rose;
    They were but sweet, but figures of delight,
    Drawn after you, you pattern of all those.
    Yet seem'd it winter still, and, you away,
    As with your shadow I with these did play.

    Billy Shakespeare
    Am Yisrael Chai

  9. #13459
    Moderator Mossdog's Avatar
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    From another Billy...


    Today


    If ever there were a spring day so perfect,
    so uplifted by a warm intermittent breeze

    that it made you want to throw
    open all the windows in the house

    and unlatch the door to the canary's cage,
    indeed, rip the little door from its jamb,

    a day when the cool brick paths
    and the garden bursting with peonies

    seemed so etched in sunlight
    that you felt like taking

    a hammer to the glass paperweight
    on the living room end table,

    releasing the inhabitants
    from their snow-covered cottage

    so they could walk out,
    holding hands and squinting

    into this larger dome of blue and white,
    well, today is just that kind of day.

    BILLY COLLINS
    Am Yisrael Chai

  10. #13460
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    Been a while since i've frequented these parts, here's some poetry relating to the Stainmore area around Brough/Kirkby Stephen.

    Distant and high, the tower of Bowes
    Like steel upon the anvil glows;
    And Stainmore’s ridge, behind that lay,
    Rich with the spoils of parting day,
    In crimson and in gold array’d.

    Sir Walter Scott, from ‘Rokeby’


    Let those who rest more deeply sleep,
    Let those awake their vigils keep.
    O hand of glory shed thy light,
    Direct us to our spoil to-night.
    Flash out thy light, o skeleton hand
    And guide the feet of our misty band

    Spoken by a cloaked, mysterious old woman, holding the pickled hand of a dead criminal; upon entering a remote coaching inn. The hand carried a candle made from the fat of the dead criminal, and its light was supposed to guide robbers to their spoil


    Of these Norwegian folks though long since passed away,
    You see the kith and kin on Stainmore every day.
    Tall men they are and fair with strong and well knit frame,
    And their ways and habits you’ll find them just the same.
    Firm and independent their necks, they are still free,
    And to another man they never bow the knee.
    And in the low deep tone we hear the Northman’s speech,
    In spite of all the schools and what they try to teach.
    The names of places too all link us with the past,
    A house may tumble down yet will the name hold fast.

    Rev. Thomas Westgarth.


    High up on Barras side- I stand to view the scene
    And ask can they be real, or is it just a dream?
    For ‘tis here John Martin stood to paint ‘The Plains of Heaven’
    And sure no grander scene to mortals ere was given.

    Rev. Thomas Westgarth.


    To future ages these lines will tell
    Who built this structure o’er the dell
    Gilkes Wilson with these eighty men
    Raised Belah’s viaduct o’er the glen.

    Poem placed in one of the columns supporting the viaduct at Belah.

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