Celebration for June 24
Thomas McGrath
For Marian
Before you, I was living on an island
And all around the seas of that lonely coast
Cast up their imitation jewels, cast
Their fables and enigmas, questioning, sly.
I never solved them, or ever even heard,
Being perfect in innocence: unconscious of self;
Such ignorance of history was all my wealth—
A geographer sleeping in the shadow of virgins.
But though my maps were made of private countries
I was a foreigner in all of them after you had come,
For when you spoke, it was with a human tongue
And never understood by my land-locked gentry.
Then did the sun shake down a million bells
And birds bloom on bough in wildest song!
Phlegmatic hills went shivering with flame;
The chestnut trees were manic at their deepest boles!
It is little strange that nature was riven in her frame
At this second creation, known to every lover—
How we are shaped and shape ourselves in the desires of the other
Within the tolerance of human change.
Out of the spring’s innocence this revolution,
Created on a kiss, announced the second season,
The summer of private history, of growth, through whose sweet sessions
The trees lift toward the sun, each leaf a revelation.
Our bodies, coupled in the moonlight’s album,
Proclaimed our love against the outlaw times
Whose signature was written in the burning towns.
Your face against the night was my medallion.
Your coming forth aroused unlikely trumpets
In the once-tame heart. They heralded your worth
Who are my lodestar, my bright and ultimate North,
Marrying all points of my personal compass.
This is the love that now invents my fear
Which nuzzles me like a puppy each violent day.
It is poor comfort that the mind comes, saying:
What is one slim girl to the peoples’ wars?
Still, my dice are loaded: having had such luck,
Having your love, my life would still be whole
Though I should die tomorrow. I have lived it all.
—And love is never love, that cannot give love up.
The Darker Sooner
Then came the darker sooner,
came the later lower.
We were no longer a sweeter-here
happily-ever-after. We were after ever.
We were farther and further.
More was the word we used for harder.
Lost was our standard-bearer.
Our gods were fallen faster,
and fallen larger.
The day was duller, duller
was disaster. Our charge was error.
Instead of leader we had louder,
instead of lover, never. And over this river
broke the winter’s black weather.
Catherine Wing
Am Yisrael Chai
Sorry to hear about your dad XRunner. That's a beautiful choice to remember him with.
I enjoyed your recent choice Mossie...especially the line "we were after ever"...not sure what the underlying meaning is, I wondered if it was trying to articulate something quite dark and the response of two people moving toward this...is it about mortality I wonder? the great unknown...it also had a bit of a frontier feel.....Mmmmm...will read again!
Words
Anne Sexton
Be careful of words,
even the miraculous ones.
For the miraculous ones we do our best,
sometimes they swarm like insects
and leave not a sting but a kiss.
They can be good as fingers.
They can be trusty as the rock
you stick your bottom on.
But they can be both daisies and bruises.
Yet I am in love with words.
They are doves falling out of the ceiling.
They are six holy oranges sitting in my lap.
They are the trees, the legs of summer,
and the sun, its passionate face.
Yet often they fail me.
I have so much I want to say,
so many stories, images, proverbs, etc.
But the words aren't good enough,
the wrong ones kiss me.
Sometimes I fly like an eagle
but with the wings of a wren.
But I try to take care
and be gentle to them.
Words and eggs must be handled with care.
Once broken they are impossible
things to repair.
Last edited by freckle; 24-11-2011 at 11:11 AM.
And another by Anne...
TOUCH
For months my hand was sealed off
in a tin box. Nothing was there but the subway railings.
Perhaps it is bruised, I thought,
and that is why they have locked it up.
You could tell time by this, I thought,
like a clock, by its five knuckles
and the thin underground veins.
It lay there like an unconscious woman
fed by tubes she knew not of.
The hand had collapse,
a small wood pigeon
that had gone into seclusion.
I turned it over and the palm was old,
its lines traced like fine needlepoint
and stitched up into fingers.
It was fat and soft and blind in places.
Nothing but vulnerable.
And all this is metaphor.
An ordinary hand -- just lonely
for something to touch
that touches back.
The dog won't do it.
Her tail wags in the swamp for a frog.
I'm no better than a case of dog food.
She owns her own hunger.
My sisters won't do it.
They live in school except for buttons
and tears running down like lemonade.
My father won't do it.
He comes in the house and even at night
he lives in a machine made by my mother
and well oiled by his job, his job.
The trouble is
that I'd let my gestures freeze.
The trouble was not
in the kitchen or the tulips
but only in my head, my head.
Then all this became history.
Your hand found mine.
Life rushed to my fingers like a blood clot.
Oh, my carpenter,
the fingers are rebuilt.
They dance with yours.
They dance in the attic and in Vienna.
My hand is alive all over America.
Not even death will stop it,
death shedding her blood.
Nothing will stop it, for this is the kingdom
and the kingdom come.
Am Yisrael Chai