Openings?
Well there is the opening 3 1/2 minute sequence in a single-take of A Touch of Evil (dir. Orson Welles 1958) with Russell Metty as cinematographer. Every film maker knows of it. Sheer brilliance. Apart from the awesome technical expertise on display it is only after watching the film that you realise the opening is like an opera overture with all the themes hinted at.
Orson Welles: self-destructive flawed genius?







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